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#150 Unknown

Uknown
Stop having kids, 2019

Melbourne, VIC, Australia

I envy people’s boldness to put up their stuff in public space.

I don’t even know for sure why I don’t do that myself – just chickening out, too conditioned to respect the rules, having conceptual concerns with unsolicited enforcement of something onto somebody when I can myself complain about others doing that… since I kinda only appreciate it when I like the message, artistic content or the aesthetics of the contribution… so yeah, firstly I would need to pass my internal quality control, then to find a place and way to place it that feels right and finally find the guts to carry it out… oh well, maybe tomorrow.

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#134 Alexander McQueen

Alexander McQueen (b. 1969, UK – d. 2010)

I don’t know yet how this is relevant. But it could be.

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#132 Mark I. Chester

Mark I. Chester (USA)

…a performance where a pianist ends up tied up to his instrument.

Mark identifies as radical underground photo-artist and I am quite interested in exploring that space as well.

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#131 Santiago Sierra

Santiago Sierra (b. 1966, Spain)
250 cm Line Tattooed On 6 Paid People, Havana, Cuba, 1999

I like the boldness of the piece on all levels.

I like also the ambiguity – or irony? – in the exploitation theme here, which becomes even more interesting when comparing this piece to Delvoye’s Tim.

I like thought-provoking work that gives no answers, just food for thought – and I am trying to do that myself.

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#127 Yves Klein

Yves Klein (b. 1928, France – d. 1962)
Anthropometries, 1960

He got it all in one piece…

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#058 Maria Friberg

Maria Friberg (b. 1966, Sweden)
Still life #3, 2004

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#057 Guy Bourdin

Guy Bourdin (b. 1928, France – d. 1991, France)

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#056 Ren Hang

Ren Hang (b. 1987, China – d. 2017, China)

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#050 maddie and frank

Madeleine Krenek (Australia)
Frankie Snowdon (Australia)
The Perception Experiment, 2019

Stage floor after the performance
Visited 14/03/2019 at Dance Massive, Arts House, Melbourne

Audience positioned on the dance floor.
Dancers navigating among the audience in complete darkness.
Hypnotic movements in monochrome.
Dance as a floor painting.
Soundtrack.
Wow.

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#045 Deborah de Robertis

Deborah de Robertis (b. 1984, Luxembourg)
D’origine du monde, 2014

Musée d’Orsay, Paris, France